Showing posts with label fees. Show all posts
Showing posts with label fees. Show all posts

Friday, July 1, 2011

Competitions Behaving Badly

One of my pet peeves, as someone who fairly frequently enters composition contests, is the professionalism and respect that some of these competition organizers seem to lack.

I recently was made aware of the results of two competitions I had entered over the last few months, and the stark contrast between the two made me mad. I even sent an email praising the application process to the organizers of the first competition after I entered because they tried so hard to have each applicant remain anonymous (they even wanted the bios to be anonymous, which is somewhat impossible but a valiant effort nonetheless, as it makes it more likely that compositions will be selected based on merit alone). Some other great competitions email you to inform you that they have received your application and sometimes even include the date of when they will make decisions (and these are usually the same ones that send timely notifications of the results). The best competitions send semi-personalized rejection (or acceptance) emails in addition to the larger announcement, as opposed to the ones that merely send a mass email with the winners to inform you that you haven’t won, although that is far better than no notification whatsoever.

Friday, April 15, 2011

The Frugal Composer, Part Deux

Several weeks ago, Natalie posted about The Frugal Composer. Recognizing the difficulties inherent in actively pursuing a career as a composer in our current economic climate, we have put together a list of resources for the frugal composer. We will continually add to this list, and if you have suggestions or know of resources that aren't listed, please let us know! Our goal is to make this a comprehensive resource for anyone in the arts who is trying to save money.

Enjoy!

Friday, March 18, 2011

The Oxymoronic "Frugal Composer"

I have gone through most of my compositional education with teachers and mentors advising me to always put my best face forward in terms of presentation, networking, and marketing. Their advice is well-meant and probably realistic given the extremely competitive and networked nature of the composition field. However, often the advice translates in practicality to a number of details that cost a lot of money, ranging from binding scores for competitions (as I mentioned in my earlier post) to attending music festivals in another state or country in order to broaden your contacts and exposure. Overall, composers are advised to spend a lot of time and money trying to build not only a portfolio, but also a CV.

Tuesday, March 8, 2011

Economic Woes of the Young Composer

If there were three money-related things you could change about the current status quo in the world of new music what would they be?  Here are three of mine, in no particular order, followed by comments and possible solutions: